The Dallas Movie Screening Group

This is the homepage of the Dallas Movie Screening Group. To join our mailing list you must sign up at our group page on Yahoo. You will then be connected to receive notices on how to find passes to the local screenings in the DFW area. It's up to you to pickup or sign up for passes. You can also barter, trade or just giveaway passes you don't want, need or share with other members of the group. Please read the instructions on the Yahoo page very carefully before posting. This group is closely moderated so that your mail box is not full of spam or other unnecessary mail. We appreciate everyone's consideration and cooperation.

You can use this homepage for posting comments, reviews, and other things that cannot be posted to the group. Of course spam is not allowed. Thanks!

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Reesa's Reviews can also be found at:

Logo art by Steve Cruz

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Sunday, June 17, 2018

Movies Scheduled for the Week of Jun 17 - Jun 23

Yes, at last! It's dinosaur week. Fortunately there are a couple screenings for this and hopefully everyone got the passes they needed. Remember the lines are going to be crowded with kids out of school for the summer. Everyone getting in line should responsibly be there, and you are not holding spaces in line for more than handful of your posse. Also don't assume that someone is saving a space in line for you. Make arrangements before hand so there is no awkward moments of WTF. Not pleasant for everyone eavesdropping on your tiff.

June 17 - June 23

Tue - Jan 19

Jurassic World Fallen Kingdom - 7:30 pm - AMC Northpark

Wed - Jan 20

Jurassic World Fallen Kingdom - 7:30 pm - AMC Northpark

Thu - Jan 21

Sicario The Day of the Soldado - 7:30 pm - AMC Northpark

Fri - Jan 22

Milk - 8:00 pm - Texas Theater

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Thursday, June 14, 2018

Incredibles 2

Director: Brad Bird Studio: Walt Disney Pictures

Round “2” for Pixar’s The Incredibles!

If you ask me, I’m a sucker for one big thing: Walt Disney animated films.

What I’m saying is after 14 years of waiting to see what’s next, it’s finally here. The family of supers in Incredibles 2 has come to life onscreen with Brad Bird, who previously directed his three critically-acclaim films The Iron Giant, The Incredibles, Ratatouille, and his most recent film, Tomorrowland, returns to his post at Pixar Animation Studios to helm this anticipated animated feature. As the filmmaker, Bird takes charge of storytelling ideas. This comic-adventure picks up immediately after the first film. A simple, yet energetic news came when the characters are ready to continue to fight back for justice. This time, they’re doing this just to get all the supers and themselves accepted by society again like it was before.

The film involves Helen Parr going out on the secret crime-fighting mission to bring back equality to any supers and finding a way to get the supers accepted to the world again while her husband Bob Parr, known as Mr. Incredible, has to stay home and be a mindful househusband to the kids. While on a mission, Helen discovers a villain hacking into every system and brainwashing the citizens and the other supers to wipeout supers once and for all. Helen must find a perpetrator to restore glory.

Nuff said on the kids with high speed heist, force-field productions and multiples of powers coming from the baby. These kids’ characters got some real fiery roast when trouble is happening. When I look at the movie poster, I saw a raccoon appearing in this movie and mistook this as Rocket Raccoon from Guardians of the Galaxy films. What a sight!

Bird, along with the producers John Walker and Nicole Paradis Grindle and executive producer John Lasseter, have done an incredible job of keeping the longest track of storytelling. He will not make a sequel or film that would be terrible according to the critics and audiences. This explains why the plot looks very similar to the original film but in reverse with Elastigirl’s main role. It would have been too many puzzle pieces to solve under a timely manner. Once the puzzle was complete, story ideas came to light up their days. Even when the very beginning of the film gives me mighty laugh.

Featuring the returning cast of Holly Hunter, Craig Nelson, Brad Bird, and of course Samuel L. Jackson, who was best known as Nick Fury in the Marvel Cinematic Universe, they have done an amazing, mindful job of providing the best familiar voices from the original film to create more like a “floating timeline” personality compared to Spongebob Squarepants, Fleischer Studios’ Superman cartoons, Pokémon cartoons, and Disney’s Alice shorts from the very early ages. Floating timeline is the best tool Pixar has ever use to create more depth just like cartoons on television. Also a better job for supporting actors Jonathan Banks, Bob Odenkirk, Catherine Keener and the newcomer Huck Milner (the voice of Dash).

Not to mention the Michael Giacchino’s composing, which sounded remarkable for the continuation of the film and the reuse of the original film’s soundtrack. The music has brought the audiences not only a strong feel but also nostalgic twists and themes from the story and background as many folks who have grown up watching the original film which made this film became incredibly sensational. His compositions are as ageless as those works from Hans Zimmer and Alan Silvestri.

As a big Pixar fan, this film was twice as incredible to watch. Easy attentive for movie goers who grew up watching the Incredibles. I highly recommend this film not only for children and grown-ups, but also parents. My main thought about this film is that the box-office projections for this film would earn bigger stacks of money since people been waiting for this film for years. This is the best bet for a summer movie decision for you out all the films releasing in June/July. Let me remind you that this is Pixar’s 20th film release and the second-to-last sequel. The last sequel [for now] is Toy Story 4, which comes out in June 2019. So please enjoy the sequels while they last before the studio decides to move on to original storytelling ideas. But if you don’t like Incredibles 2, go back to watch the original film for your own perspective of originality. I promise you this film will make your lives easier.

Let’s not forget the short film, Bao, directed by female artist Domee Shi, involving a lonely mother making dumplings as a symbol of motherhood. The short film from Shi offered some strong message of motherhood about parents spending time with their kids as they grow up to have their own lives. Makes me tearful and it’s tough to see this coming unexpectedly.

Bonus points for the red signal on the Disney and Pixar logo.

Running time: 118 minutes. For Bao: 6 minutes.

GRADE: A+ (for Bao: A+)

(Review by Henry Pham)

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Sunday, June 10, 2018

Movies Scheduled for the Week of Jun 10 - Jun 19

Wow, last week we had a movie everyday! Hope we get a few more of those last minute screenings.

Obviously it's gonna be crazy with school being out and the big animated blockbuster. So please everyone try and be civilized out there. Don't have 20 people line with you showing up in increments.

June 10 - June 19

Mon - June 11

Incredibles - 7:30 pm - AMC Northpark, AMC Grapevine, Cinemark West
Superfly - 7:00 pm - AMC Northpark

Tue - June 12

Tag - 7:00 pm - AMC Northpark
Tag - 7:30 pm - Studio Movie Grill NWY

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Thursday, June 7, 2018

Oceans 8

This one is all about the girls.

Whereas the 2001 update led by George Clooney and director Stephen Soderbergh was one of the biggest blockbusters of the past decade, “Ocean’s 8” finds director Gary Ross and star Sandra Bullock as Clooney’s sister, Debbie Ocean.This all new tale has cameos from the 2001 remake with the appearance of Elliot Gould as well as Shaboo Qin. In the 2001 version, Gould was Reuben, one of the right hands of staging the heist while Qin’s Yen persona was the small acrobat thief who helped pull off the caper.

Helping Debbie is Cate Blanchett’s Lou, Debbie’s best friend from years ago. She is a good sounding board for Debbie’s trials and tribulations. Their friendship and interaction keep this movie afloat, despite all the ridiculous cliché’s that sometimes take center stage.

The duo share some great scenes with dialogue, such as when Debbie gives Lou the rundown on how long she’s planned the robbery stating 5 years, 8 months and 12 days. Like Clooney’s character in the 2001 remake, Debbie knows what she’s good at, and that is a robbery, with The Met gala in New York City.

That is only a portion of the script, since the rest of the time is spent with the characters and the dilemmas they each face.

Rounding out the eight are Sarah Paulson’s stay-at home grifter mom, Tammy, who leaves her child alone “so she can get some much needed time apart.”

Also part of the group is Mindy Kayling’s Amita, who helps biding time away from her parent’s restaurant business. Her skill is that of conceiving and implementing face jewelry into the mix, because she feels her skills are put to a better use.

Also included is disgraced fashion designer Rose Weil, whose fall from grace finds her fashioning Anne Hathaway’s starlet Daphne Kruger, whose always on the inside track of finding someone hip.

Also in the group is Rihanna as Nine Ball, (her real name) and Awkwafina as Constance. Each adds a nifty moment of sparkle and pizzazz.

The chemistry between the various members of the troupe all work, especially with a score and theme that harkens back to previous chapters in the “Ocean’s” arsenal.

Director Gary Ross knows how to film actors in their moment with a fluid pace that never hits a dull scene or transition. I hate to say it, but I wanted more. He has done credible work before, most recently with the Matthw McConaughey-led “Free State of Jones” in 2016.

In the full scheme of things, I gave the 2001 remake a grade of an A-, with “Twelve” a less than stellar D-, while “Thirteen” received a mediocre C+.

As I said earlier, this one works, but not to the right degree of vim and vigor.

Grade: C+

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The best way to review this film is to say that it's perfectly weird. And in the best way. From the moment the movie starts with it's dark discordant music that washes over the slow and intimate scenes of family home, you can only surmise that something is somewhat afoot. Written and directed by Ari Aster, in his feature directorial debut, it may seem like just a mere haunted house tale. The craftsman style home with it's rich wood, and clutterless rooms is like an additional character with it's odd dark corners and creaky floors. Then there is the lack of typical chaotic family yelling and screaming that lets you know, it's not quite normal around here.

Toni Collette is Annie Graham an artist who works from home. She creates diorama's of carefully detailed miniatures of scenes in her home and other random buildings she is creating for an art show, in which she is behind schedule. She is married to Steve (Gabriel Byrne) the stoic and kindhearted father who can't seem to grasp his repressed family unit. They have Peter (Alex Wolff), a quiet and spaced out pot smoking teenager and younger daughter Charlie (Milly Shapiro) who spends most of her time drawing in her notebook and collecting odd bits and pieces. The family is grieving, but mostly kind of relieved by the passing of Annie's mother Ellen. Annie and Ellen had been estranged for a number of years. Annie explains to a grief support group that her father starved himself to death, her brother hung himself because he believed his mother was trying to put another person in his body, while Ellen suffered from dementia. So it seems to be expected some cray-cray is coming.

It's best this movie is seen without anymore information, just lest it seep into your senses and linger in your memory. It's a well crafted supernatural drama, that doesn't go in for the laughable shock scenes that fill other films of this genre. It's a psychological study of how our family ties influence and affect your world. It would be great if one of the DNA tests that can tell your ancestry, can also tell how your linage has some genetic influence on your mental health issues. Everyone is outstanding in this, especially Toni Collette who seems to be just hanging on the threads of sanity for the sake of the family. Alex Wolff stands out the most as his facial acting tells the unsettling bigger story of what this young man has to endure.

Grade A

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Hotel Artemis

Hollywood screenwriter Drew Pearce’s directorial debut takes place in 2028 Los Angeles where there are riots in the streets over a water crisis. That's not really important to the story except that it puts everything on edge as criminals must make their way through the chaos to their subscription health care center that only caters to bad guys. Everyone must follow the rules, and only members are allowed to have gunshots and knife wounds tended under code names based on their themed rooms, like Honolulu, Waikiki, Nice, Acapulco and Niagara. The posh Art Nouveau hotel had seen better days, but now only uses the penthouse floor to house it's robotic medical facility.

The Nurse (Jodi Foster) has her hands full at the moment with a beautiful French assassin (Sofia Boutella) and a complaining arms dealer (Charlie Day). They are joined by Sterling K Brown, a thief, whose young brother (Brian Tyree Henry) was shot during a bank robbery. He's been trying to get out of the life, but his brother talked him into this job. Good thing he didn't stop paying his premiums. Nurse is assisted by Dave Bautista who plays Everest. He is quick to remind people to read his badge as he's a licensed medical assistant. He also makes repairs and hauls off unwanted clients and enforcing the rules of the hotel. The night becomes more complicated when the owner "The Wolf King" (Jeff Goldblum) is 50 minutes out as his son Crosby Franklin (Zachary Quinto) and his thugs seal the doors to the hotel to insure the safety of his father. Complicating things, an injured female cop is at one of the doors seeking help. She knows The Nurse's real name and the reason why Nurse never leaves the building. But helping her is breaking a major rule of the hotel.

The film is only 97 fast paced minutes. The dialogue is funny and the action is extreme and satisfying. Hotel lives in the same kind of alternative universe as the Hotel Continental that caters to assassins, only not as plush and civilized. Hotel Artemis has high tech equipment that can operated and created 3D body parts to replace injured ones. The Nurse only has to push the right buttons and go check her other patients. It's great to see Jodie Foster back on the big screen as the Nurse who has a unique shuffle/runs with her big medical bag, badgering her patients and administering heavy duty elephant tranquilizers. It's a nice mindless romp and worth the popcorn.

Grade B

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(Review by Chase Lee)

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